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KEITH HENNESSY, Choreographer/performer
CV
(word doc)
Keith Hennessy tours internationally as a performer, choreographer,
teacher and organizer. He directs CIRCO ZERO in intimate spectacles
for stage and street. His interdisciplinary research engages
improvisation, public actions and alchemy/shamanism as tools
for choreographic investigations of political realities. Keith
was a member of the collaborative performance companies: Contraband
(85-94), CORE (95-98), and Cahin-caha, cirque bâtard
(98-02). His work is featured in several books and documentaries,
including How To Make Dances in an Epidemic (David Gere, Univ
of Wisconsin: 2004), Gay Ideas (Richard Mohr, Beacon: 1992),
and Dancers in Exile (RAPT Productions, 2000). He is a co-founder
of 848 Community Space/CounterPULSE a thriving performance/culture
space in San Francisco. Recent awards include Alpert/MacDowell
Fellowship in Dance (2005) and SF Bay Guardian’s Best
of the Bay for Circo Zero. Recent commissions include Les
Subsistances, Lyon (Homeless USA, 2005), Les Laboratoires,
Paris (American Tweaker, 2006), FUSED (French-US Exchange
in Dance) and Centre Chorégraphique National, Belfort
(Sol niger, 2007), and Lower Left Performance Co, San Diego
(Gather, 2005). Keith’s 2005-07 teaching includes JFK
University, UC Davis, USF, Impustanz (Vienna), improvisation
festivals in Budapest, Seattle, Stolzenhagen (Germany), Moab,
the Aerial Dance Festival (Boulder), plus grass-roots workshops
in Arcata, Chicago, Toronto, Victoria and Earthdance (Northampton
MA).
EMILY LEAP, Dancer and Aerialist
Emily Leap is an aerialist and dancer. She trained with Elena
Panova and Helene Turcotte on trapeze at the San Francisco
Circus Center. Emily studied modern dance at UC Berkeley and
received a certificate of dance from the Alvin Ailey School.
She has been performing solo trapeze work since 2003, including
the 2005 Women on the Way Festival and the American Circus
Festival in 2005 and 2006. She was awarded Best Aerial Act
at the 2005 American Circus Festival. Emily has performed
with Alma Esperanza Cunningham Movement, Eat Cake Productions,
and The Spinning Yarns Dance Collective. She is currently
a member of Lizz Roman and Dancers and Circo Zero.
SEAN FEIT, Dancer and Musician
Sean Feit is a classically trained composer and multi-instrumentalist
(piano, violin, voice, all strings) working in performance
art and movement-based theater. He studied music composition
at California Institute of the Arts (BFA, 1993) and Cornell
University (Graduate Fellowship, 1995-6). He co-directed RUJEKO
Performance Collaboration from 1997-2005 and produced six
full-length pieces integrating dance, live music, spoken word
and site-specific performance. RUJEKO worked toward a visceral
theater language deeply informed by meditative practice and
the radical presence of Authentic Movement. In addition to
solo and directing work, Sean has danced or made music with
Scott Wells, Angus Balbernie, Bodycartography Project, Leslie
Seiters and Keith Hennessy. He has performed locally at 848
Community Space, CounterPULSE, ODC Theater, Temescal Art Center,
Dance Mission Theater and in the streets and woods of the
Bay Area. He has practiced Buddhist meditation and Yoga since
1993 and in 2002 took monastic ordination in Burma. He continues
to be informed by the disciplines of meditation, improvisation
and Authentic Movement, as well as the Bhakti (devotional)
and Hatha paths of Yoga.
SETH EISEN, Performance and Installation
Artist
Seth Eisen is a visual and performing artist. He has been
coaching artists, teaching visual and performing arts and
operating thriving art studios with people of all ages for
fourteen years. His work is a hybrid of contemporary forms
(performance, installation, and found object) and the prehistoric
(ritual, community and fetish object). Seth has been exhibiting,
curating and collaborating with various artists in the Bay
Area since 1994 and prior to that in Philadelphia and Boulder,
Colorado. His performative installations have been featured
at The Oakland Museum of California, Theater Artaud, Zeum,
Yerba Buena Gardens, SOMARTS, Theater of Yugen, Bing Gallery
and 848 Community Space. Seth has also performed with Nina
Hagan, Harupin–Ha, URO, Ink Boat, Flesh and Blood Mystery
Theater, Sleepytime Gorilla Museum, Keith Hennessy and Circo
Zero. Seth has a four-year certificate in painting from The
Pennsylvania Academy of Fine Arts, a B.A. in Contemplative
Interdisciplinary Arts from Naropa University and an M.A.
in Transformative Art from John F. Kennedy University.
BRETT WOMACK, Aerialist and Dancer
Brett Womack born and raised in San Francisco has spent over
half his life in the circus world. While focused on the aerial
arts of rope and tissu, he also has extensive training in
tumbling, acrobatics, jump rope, character and dance. Brett
premiered as a soloist with Make-a-Circus in 2003. In addition
to performing with Circo Zero, he has worked for the prestigious
New Pickle Circus, City Circus and the raucous Vau de Vire
Society. He currently teaches at Acrosports and loves performing
en situ.
MAX, Lighting Designer & Object
Performer
Max is a lighting and set designer, maker of masks, performer
and puppeteer. Her work has been presented in Japan, Eastern
Europe, France, and several cities in the US. Max is a member
of Theatre of Yugen, a Noh-inspired performance company. She
created the masks and performed in the recent Cycle Plays,
a suite of five plays that ran throughout a single day. Max
is frequently seen designing lights for dance at CounterPULSE,
Dance Mission, and various sites around San Francisco.
BJ BANDY, Costume Designer
BJ Bandy is a creative artist with more than a decade of experience
in theatre costuming, makeup, and crafts, including work as
a costume designer, cutter/draper, stitcher, wardrobe supervisor,
tailor, and milliner for the Solano Repertory Company, Sacramento
Theatre Company, Berkeley Repertory Theatre, ODC, California
Shakespeare Festival, Oakland Ballet, La Jolla Playhouse,
and San Francisco Opera, among others. Bandy holds a BA Theatre
Arts/Costuming from the University of California, San Diego,
and continued her theatre studies at UC Berkeley. She is the
winner of two ARTY awards and has been nominated several times
for the Sacramento Area Regional Theatre Association's Elly
award.
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