Making
Delinquent

Introduction

Photo and Video

Director's Statement

Critical Essay

Press
Rachel Howard, SF Chronicle

Rita Feliciano, Danceviewtimes.com
Interview, In Dance

Rehearsal Journal
  Intro 2009
  Mar/Jun 2008
  Aug/Sep 2008
  Oct/Nov 2008
  Postscript 2009: Theory Quotes

Proposals
  First draft
  Grant applications

Casting
  Call for performers
  Leadeship, Power, Contract
  Contract

Research
Research Sources
Stop the killing
White Priviledge
The 2008 Election
Free writes
Ugly Facts

Blog
  Meghan
  Constance
  Nestor
  Jorge

Reflections
  Constance
  Omar
  Michael Kroll
  Audience responses
  Sam Aranke Critical Response
  Keith Personal Essay

The Script
  Who we are
  Why?
  My name is Omar Turcios
  24th St. is on fire
  Krupke
  Are you a man?
  The Beat
  People die
  In the Mission after rehearsal
  Shadows

Final score

Credits

Artist Bios

 


The Script

SHADOWS
Written & performed by Dawon Davis.

A few of the ensemble climb up the box wall to drop a mic to Dawon. He recites the text with everyone still, watching the box, listening to the man they can’t see.

Born into a world where it seems that no one sees you
looking for a mother
looking for something, someone
searching, seeing nothing but darkness
spiraling black strobes that blind me
or at least I think so,
then I realize it’s just the darkness deceiving me... again...
it seems as though I’m trapped Here
I don’t know how long,
I don’t know what for,
but in Here, stuck, nickel and diming for survival...
Free but not Free,
stories told and untold,
and this was designed by someone who was metaphorically speaking on the unseen...
but why speak on something you can’t see let alone control...
what did I ever do to release a fate like this upon me...
well I guess it was being born cause that’s how long I’ve been here
since birth
17 years of living in the unknown
(this system, for before I was even born)
But time is forever and I guess that’s how long I’m going to be here
so I better get used to it...