Making
Delinquent

Introduction

Photo and Video

Director's Statement

Critical Essay

Press
Rachel Howard, SF Chronicle

Rita Feliciano, Danceviewtimes.com
Interview, In Dance

Rehearsal Journal
  Intro 2009
  Mar/Jun 2008
  Aug/Sep 2008
  Oct/Nov 2008
  Postscript 2009: Theory Quotes

Proposals
  First draft
  Grant applications

Casting
  Call for performers
  Leadeship, Power, Contract
  Contract

Research
Research Sources
Stop the killing
White Priviledge
The 2008 Election
Free writes
Ugly Facts

Blog
  Meghan
  Constance
  Nestor
  Jorge

Reflections
  Constance
  Omar
  Michael Kroll
  Audience responses
  Sam Aranke Critical Response
  Keith Personal Essay

The Script
  Who we are
  Why?
  My name is Omar Turcios
  24th St. is on fire
  Krupke
  Are you a man?
  The Beat
  People die
  In the Mission after rehearsal
  Shadows

Final score

Credits

Artist Bios

 


REHEARSAL JOURNAL
MAR/JUN 2008

March or April
Meetings with YBCA staff.
Jose Navarette – performance arts educator, wants me to guest teach the YBCA youth, and preferably to come with some of the cast.
Isaias – interactive media manager, will be making in-process videos to use on the blog and in the lobby and perhaps a podcast too
Cicily – community life manager, wants to talk about outreach strategies and plan some panel discussions leading up to the performance. Deadline: early June.
Aide – YBCA grant writer, wants copy!
Angela – Performing Arts Curator, says I can have $5000 of the fee now.

April 2008
Youth Speaks Grand Slam at the Opera House
I watch this extraordinary teen poetry contest and write down all my favorites. I give a few of them the call for performers but I never hear from any of them. Then I write, repeatedly, to the director of Youth Speaks, but it takes him months to take action. I do end up casting 2 poets affiliated with YS, Nestor 16, and Constance 17.
Themes: wings clipped, slit wrists, phoenix from flames, rise!

May 2008
In response to emailing the call to everyone I know who works with youth, in schools, universities, and art programs (SF Circus Center, Youth Speaks, Destiny Arts, The Beat Within and more), I pick the first five cast members:
Jorge Rodolfo de Hoyos Jr., Jeremie Chetrit, Tracy Piper, Meghan Milam, Nestor Reyes.

May 9 2008
First meeting with Sonya Smith, production manager. I had worked with Sonya on both runs of Sol niger and she’s excellent with schedules, tech planning, and maintaining the budget. Yes.

We make a big list of what she will do and what my assistant Julie or I will do:

Sonya: assist with promo production, arrange reh space and informing the cast about reh, tech & prod liaison with YBCA including scheduling and budgeting (do not go over the $12,000 allotted!), maintain payroll, coordinate any other production stuff including set construction, light rental, sound equipment.

Keith/Julie: schedule prod mtg with YBCA to intro Sonya, update mail list, assist on reh space research with people I know (Karl, Xeno, Zaccho), stay focused on casting (contact more friends who aren’t white – Pamela Z, David Molina…), get a stage manager and tech intern, email budget so far to Sonya.

May 2008
Situationist – Mai 68 slideshow by Hugh D'Andrade
“not art in the service of revolution but revolution in the service of art”

Cougar Cadet Corps
Chipman Middle School, Alameda
picture a drum corps invading the space

With the first 5 cast members I schedule a series of three meetings that I call pre-rehearsals. I had made contact with a 6th person, Dawon Davis, but he never made it to any of the pre-rehearsals. Somehow we re-established contact after the summer and he joined the project.

May 31
PreReh #1, 10am-noon, Dance Mission, SF
Jorge, Jeremie, Tracy, Meghan, Nestor
Chat about the project.
Warm up – on the floor, walking, hanging over (stretching).
Make a short solo performance that includes your name. Show.
Free write: Delinquent. Read selections in pairs, 3x, shifting partners.
Chat more.

Jun 1
PreReh #2, 1-4:30pm, CUE Space, West Oakland
Jorge, Jeremie, Tracy, Meghan
Ahhh why no Nestor, no Dawon?
Warm up – hang, walk (Halprin)
Make a short duo performance without talking. Show.
Make a short duo (new partners) with minimal talking. Show.
Chat – what did you see? Gender, ideology, representation…
Make a quartet.
Chat
Storytelling – Have you ever been blamed for something you didn’t do? (from Anna Deveare Smith). All share. 2-3 minutes talking.
Chat – blame, race, fluid identity, Anna Deveare Smith
Make a solo with content, considering identity, blame…

Prep for PreReh #3
Contact Dawon, Nestor, Omar
Contact David I at The Beat Within – any female recommendations
Follow up with Sara Crowell at Destiny, musician Kevin Carnes and other African Americans
Books – bring a collection of books on prison, race, art & politics
Sonya – contact Museum of African Diaspora, YGC re: offering a performance or workshop at Juvenile Hall, confirm reh space, connect with Rebecca about set construction (confirm late Aug or Sep, and confirm budget).

Jun 4
PreReh #3, 6-9pm, CUE Space
Jorge, Tracy, Meghan, Jeremie, Nestor
Where is Dawon, Omar?
Books – share
Discuss Fall schedule, money (2 installments of $350 + commute $), contract, phone numbers
Personal project – everyone responsible to work on something, research and make something to share at the end of Summer Brenner
Warm up – Follow the leader, walking speeds 1 2 3 4 5, remembering positions 1-6
Free Write – read to all
(Breathing, body, words, not amazing but yes it’s practice, they are beginning to reveal)
Solitary exercise – Talk briefly about solitary confinement, 23 hours alone in a cell. Talk about prison as a metaphor. Discuss: what is a way to protect each other, protect the vulnerable among us? If not confinement of bad or mad ones, then what?
Action - everyone tape off an area 6’x8’, spend 10 minutes (or was it 20 or even 30?) in your space. Make something.

Jorge – twitch, fidget, breath. Imagine only impulse, no arrival, no gesture.
Tracy – stand, walk, pace, disrobe to bra, repeat walkovers – back fwd back fwd…
Nestor – touch body, look in mirror, push ups, collapse, talk in Spanish
Jeremie – eat hand, inhabit the space (what did I mean by inhabit?)
Meghan – “I don’t know the experience of solitary confinement in a US prison & I don’t think that sitting inside a tape rectangle in a circus space can give me any insight into that experience. So you can watch me sit here but I’m just sitting.”

Immediately I know that this text is in the show. We have begun.

Other imaginings prompted by this rehearsal:
Meghan gets enclosed in a cell the size of her taped area.
Audience gets handed Go Directly to Jail and Get Out of Jail Free cards.
A pre-show installation of incarceration solos & duos in limited spaces of their own constriction.
Microphones – with cords, coming from a single source, a hanging mic, one mic that could swing to reach each “cell”

June ?
Production Mtg at YBCA
Angela Mattox– discuss contract, residency ideas
Ysabel Irigoyen– all production stuff, schedule & budget & implementation
Jodi Fedder & Jose Maria Francos – tech staff
Decide on seating, & whether or not I want to define the space with curtains.
Program copy deadline: Sep 1
Photos by late August.
Kimberly Harding – PR – what’s the heart of the project? Get cast bios, and Meghan quote.