Making
Delinquent

Introduction

Photo and Video

Director's Statement

Critical Essay

Press
Rachel Howard, SF Chronicle

Rita Feliciano, Danceviewtimes.com
Interview, In Dance

Rehearsal Journal
  Intro 2009
  Mar/Jun 2008
  Aug/Sep 2008
  Oct/Nov 2008
  Postscript 2009: Theory Quotes

Proposals
  First draft
  Grant applications

Casting
  Call for performers
  Leadeship, Power, Contract
  Contract

Research
Research Sources
Stop the killing
White Priviledge
The 2008 Election
Free writes
Ugly Facts

Blog
  Meghan
  Constance
  Nestor
  Jorge

Reflections
  Constance
  Omar
  Michael Kroll
  Audience responses
  Sam Aranke Critical Response
  Keith Personal Essay

The Script
  Who we are
  Why?
  My name is Omar Turcios
  24th St. is on fire
  Krupke
  Are you a man?
  The Beat
  People die
  In the Mission after rehearsal
  Shadows

Final score

Credits

Artist Bios

 

BLOG

MEGHAN MILAM
Spontaneous writing on being in Delinquent
Not that it started there, but it could have. I was in a bar and just said hi. So here I am. Or there I was. Either way, there I will be.

Three times a week I am surrounded by a group of people I would otherwise not find in a room together.

And

My heart is breaking open. What is it like inside these rehearsals? It’s a trip from my head down into my heart. And it’s hard to breathe.

I have a 17-year old sister living in Los Angeles. I had an idea of the way teen-aged minds work. I was wrong. I was so fucking wrong. At a time in my life where I can’t seem to find inspiration from anyone (not from the bloated academy or self-important artists), it’s coming from the amazing artists and activists under 18 years of age. It’s not angsty, it’s not trite - it’s what needs to be heard.

I feel a bit like my role is to be acted upon. Or to listen. To use my privileged ability to feel so deeply that I can’t move. And then move.