Making
Delinquent

Introduction

Photo and Video

Director's Statement

Critical Essay

Press
Rachel Howard, SF Chronicle

Rita Feliciano, Danceviewtimes.com
Interview, In Dance

Rehearsal Journal
  Intro 2009
  Mar/Jun 2008
  Aug/Sep 2008
  Oct/Nov 2008
  Postscript 2009: Theory Quotes

Proposals
  First draft
  Grant applications

Casting
  Call for performers
  Leadeship, Power, Contract
  Contract

Research
Research Sources
Stop the killing
White Priviledge
The 2008 Election
Free writes
Ugly Facts

Blog
  Meghan
  Constance
  Nestor
  Jorge

Reflections
  Constance
  Omar
  Michael Kroll
  Audience responses
  Sam Aranke Critical Response
  Keith Personal Essay

The Script
  Who we are
  Why?
  My name is Omar Turcios
  24th St. is on fire
  Krupke
  Are you a man?
  The Beat
  People die
  In the Mission after rehearsal
  Shadows

Final score

Credits

Artist Bios

 


Performers Letter of Agreement and Understanding

• Performers agree to attend, to the best of my ability, rehearsals every Tuesday, Thursday, and Saturday for a total of 8-10 hours per week from Tuesday Sep 2 until Saturday Nov 8.
* Performers agree to be available for Tech rehearsals Tue Nov 11 (5-10pm), Dress Rehearsal Wed Nov 12 (5-10pm), and Performances Thu-Sat Nov 13-15 (6-10pm).

* Performers will receive a minimum of $700 to be paid in two installments of $350, October 6 and Nov 13. If the budget allows, Keith & Sonya will decide if a bonus can be paid. Keith agrees to make the accounting public to anyone who requests.

• Performers agree to grant Keith Hennessy, in his role as director, the power to veto any contribution by individuals or collaborations. Keith agrees to grant individual performers the power to veto any suggestion. This means that performers do not have to do anything they don’t want and it means that Keith has the final say about what performers do in the performance. These agreements are made in a spirit of mutual trust and a genuine desire to collaborate with each other, to share the creative process, and to inspire each other.

• All performers will receive a DVD of the whole performance and a CD of photos. Additionally, if other media is generated (for example, an edited short video), it will also be available to all cast members without cost.

• Intellectual property (texts, choreography, images, music) created by individuals during the process of Delinquent belongs to the individual who created it. Intellectual property created in collaboration belongs to the partners of that collaboration. What does this mean? It means that Keith Hennessy does not own the poems or dances that performers create. It means that you can use documentation of individual scenes or the whole work when looking for grants, applying to schools or auditions, online social networking (facebook etc...). In most cases, in which sharing the work will not result in financial gain, this informal agreement about collaborative work will suffice. In the rare case in which there is a profit potential, performers agree to enter a mediated negotiation with any relevant collaborators to determine the most equitable way to proceed.

• Based on interest and talents, all performers agree to participate in promoting the show to their friends and communities.

• All performers and collaborators (director, designers, project manager) agree to an intention of mutual respect and support.

I ________________________________________ have read the above.

I understand and accept these agreements.
Signed: _________________________________________________ Date: ______________

Parent/guardian signature for performers under 18: _________________________________________

Keith Hennessy: